"The Lone Ranger" with Johnny Depp.

For now, the production of "The Lone Ranger" has been postponed, ah!

Source Code

As an individual that utilizes Google's "Analytics" in my website, I have found that it functions as a decent tool for me to track where and who and how my website is being viewed. Unfortunately, as a designer I have run into a specific issue with someone else "designing" another person's website by taking my source code and not deleting my unique Google Urchin Tracker ID from their site, which then provides me with reports from that site. Now, I've created individual filters to omit that information and I've tracked the URL owner and contacted him about this issue, nothing has happened. So, to all you self-proclaimed web-designers, when you use other people's Source Code make sure you know HTML, CSS, Flash, XHTML, JAVA or whatever language you are using to construct with so you don't take information that isn't applicable to your site.

The Aging Dinosaur: Virtual Reality vs. Reality Reality

It seems unfathomable to me that our world has developed so far beyond interpersonal relationships and into the realm of AI that contact with other people is becoming more and more virtual. This has been going on for quite some time, beginning with chat rooms, online gaming, and now the ever annoying facebook or social networking platform. When I say that, I say that with some humor, I am one of the millions of individuals on fb. Although lately, I am beginning to become perturbed by that social network, not that I'm looking for another one. I have friends, close friends, and family all over the country and my only connection with them is through fb? That's so fucked up. I even have family locally and my only connection with them is via fb, how disturbing is that? Granted, I don't necessarily want to see all these people everyday, or talk to them everyday, but the personal disconnect that is fb is quite unsettling. At first, the novelty was interesting. I could find out what my friends/family were doing, but now it's an inundation of status updates, attention seeking "look at me" posts, which not only seems to be a form of virtual pollution but has got to be the most arrogant and conceited cry for attention in a forum that is responsible for severing human contact. It does have its advantages. When you have friends and family all over you can keep in touch, although you could actually talk and see those friends and family through Skype if you are so inclined in utilizing technology, you could also use a phone, making the experience less barren. It does function well as a platform to disseminate information, that is undeniable. Events that are happening are distributed via facebook invitations, but with the ease in doing so, the amount of events that are now taking place has risen exponentially, as have the "specialty" pages on fb.

I am an individual that would rather engage others in person, but distance makes that difficult, the phone is preference one for me, preference two is email, fb is further down the ladder in my book. The ability to network is my main reason for utilizing facebook. Although my main preference is the phone, there are some individuals that are just not good at returning calls if you cannot connect initially. Others are just not good phone people, they call you and they don't maintain the conversation or barely initiate a conversation and yet they've called you. I've called people and it seems like I've caught them at a bad time, but they don't inform you of that, usually they treat you like you've imposed yourself on them, it's a phone for god's sake. I'm not sure if it's because virtual reality has forced an awkward wedge in between people, you know, virtual distance, yet it has also created virtual closeness. People don't want to be bothered and they can use technology to their advantage, e.g. caller ID, IM blocks/online status notifications. I wonder if all this technology and the advances in virtual reality hasn't placed humankind behind the proverbial eight ball. We aren't necessarily as social as other animals on our planet, but interaction occurs on a daily basis for those of us that leave our homes everyday. If you want a job, you're typically asked whether or not you're a "team player" or if you "work well with others." Well most people have jobs, and in the countries that unfortunately exist as third world countries, the people still interact with one another and actually exist in a more developed social structure than those of us with computers, cell phones, flat screen televisions and any other smart technology you want to throw in there.

As someone that loves the outdoors and nature, I have a difficult time navigating between virtual reality and reality reality. Ironic enough, I work within virtual reality.

Johnny Depp as Tonto, Postscript

After posting the Johnny Depp as Tonto blog, I was thinking how coincidental it was that Depp decided to adapt a novel about an Indigenous person after having starred two years earlier as William Blake, beside Indigenous actor, comedian, musician; Gary Farmer (Exaybachay, a.k.a Nobody) in Jim Jarmusch's, Dead Man? It seems to have been a logical chain of events for Depp. First, you play a role next to an Indigenous actor, who is playing a character that is Indigenous. Secondly, you find a novel centered on an Indigenous character and all the strife of Indigenous culture, adapt it for the screen and then star in said adaptation. I never mentioned that the author of the novel, The Brave, is also the author of the Fletch and Flynn series of novels. Therefore, The Brave is quite a departure from the cultural content he was used to depicting or even knowing about.

Johnny Depp as Tonto

Now as an artist that has utilized The Lone Ranger as part of his body of work and is a staunch advocate for the accuracy of Indigenous portrayal in media, I am interested in this turn of events. Granted, Johnny Depp has claimed he is Cherokee, Irish, German with some Navajo(?) [via IMDB] all well and fine. The problem isn't is Johnny Depp Cherokee, it's what does he know about being INDIGENOUS, there I said it.

What authenticity is he going to bring to the silver screen that will translate what you and I know as Our shared cultural experience, Pan-Indian as some of it might be? I don't think he is going to offer anything to Indigeneity other than some dressed-up caricature of what he and Verbinski thinks "Indian" is. Now, is it okay since Tonto is a fictional character? How much fantasy is he going to project to an audience that not only loves Depp, but practically worships him? How much of this character will the audience actually walk away with as truth and how much as fiction? We know that the majority of America gets their information from media, and that information is framed in its presentation. So, if Depp's portrayal of Tonto is a caricature of what he has conjured in his mind about Indigenous people then we should be prepared to do battle with fantasy. If he doesn't embellish on his character's persona, a la Capt. Jack Sparrow then we might hope for a more humanistic approach to his rendition of Tonto. I'm hoping for the latter. My biggest qualm regarding this turn of events, Johnny Depp as Tonto is when has he ever portrayed an Indigenous person?* Why now? What not utilize the myriad other Indigenous actors known for their Native roles? Wes Studi? Damn, even Cherokilmer (term coined by friend, Maria Colon of FLABMAG.COM), Val Kilmer is more known for his role as FBI half-breed, Ray Levoi as well as his charitable endeavors with the Native American Indigenous Cinema and Arts Organization. Why not Adam Beach or Benjamin Bratt?

Honestly, I look at this casting existing only in the end product, cha-ching $$$. Director Gore Verbinski, Pirates of the Caribbean franchise will be taking on the task of directing Depp once again in his performance of Tonto. Now, that franchise has earned to date $2.68 billion in worldwide box office revenue. How is this not the reason? Where are the other people dismayed at having Tonto resurrected by Verbinski, Disney, and Johnny Depp and thrust into the popular culture as something that is Indigenous? Disney is infamous for its horrendous representations of Indigeneity and its place in popular culture as somehow the man behind the curtain.

* Yesterday my friend, colleague and FLABMAG.COM founder/editor extraordinaire, Maria Colon enlightened me. I didn't know Depp was the star of his own directorial debut in The Brave, where he plays what is a typical Native American stereotype. Funny thing is Depp adapted the novel of the same name from Gregory McDonald. "The film was first shown at the 1997 Cannes Film Festival[1] where it received mixed reviews. The film was released in theaters and on DVD internationally, but not in the United States." You can actually view it on youtube. Thanks to Maria for bringing this to my attention.

Congratulations to the people of Egypt

A simple congratulations to the citizens of Egypt for their unwavering perseverance and steadfast commitment to change. I wish you much success in the coming months and years in forging a new path toward democracy of equality and peace determined by the people for the people and hope that your struggles are filled with determination and strength in seeing a future that is much brighter than what has been, you've already made the first step. Please do not lose sight of the freedoms he denied you and the tyranny of his cabinet, stay on path and work to unify your country. Congratulations. Oneh.

Possibilities?

My plan is to depart Syracuse, where I have been mired since graduating from the SU MFA film program since 2007. With family and well to be honest, a limited amount of friends in the area (not as many as while I was in school--they were bright enough to leave quickly after graduating) I didn't think my life would be as uneventful as it is. So with this tentative plan in motion, or conceptually in motion, I intend to move back out west, the southwest to be specific. I figured I'll be able to move out there with or without a job, but I think my age and the caution that comes with being older is keeping me from making such a risky move. I no longer throw caution to the wind, don't take as many chances as I used to . . . now, chances are well calculated to have minimal risk.

I have a fellowship application in at the School for Advanced Research in Santa Fe, NM, which begins in the fall. I am applying to IAIA for a position as a New Media instructor. And then there's a possibility to teach film and video this fall at my old Art School (Munson Williams Proctor at Pratt), where I received my foundational training. So, three possibilities, not too bad, but the waiting and not knowing is uncomfortable, but I have to endure. So, depending on what comes of these possibilities moving may or may not be in the cards.

I was hoping to get back to the Denver/Boulder Indian Community, or become a part of the Santa Fe/Albuquerque Indian Community. As a displaced Mescalero Apache in Haudenosaunee country I am not an active member, though I am part of the community. Since my lineage isn't matrilineal, I cannot take part in Longhouse ceremonies, which I respect because that is the way of the Haudenosaunee (there was limited discussion on this aspect, but since I believe in traditionalism as does my brother, I decided that it was really a moot point to even think about it regardless if no one else knew where my lineage lay). I am fortunate and grateful to be able to take part in other events that occur. I was honored to be able to meet and photograph Tadodaho, Leon Shenandoah, my brother's grandfather before his passing in 1996 as well as photographing Oren Lyons in the same year. After talking with Oren for some time, he gave me some advice: not to dip my cup upstream. Apparently, our short conversation gave him great insight into my rather confrontational and radical personality, at least when coping with fairness. Although, to this day I still seem to disrupt the flow of things for those people downstream, it is an intentional choice and not one of desire for confrontation, anger or animosity but one of perspective. My time spent with the Onondaga and Mohawk (specifically Tom Porter at Kanatsiohareke) has taught me a lot about myself, my identity, my family and my desire to be an active member within the community, no matter what that entails. I know I will miss my brother and his family most, since wherever the possibilities take me will take me away from them. I've enjoyed helping my family out when needed, taking my niece or nephew to Tsha'Hon'nonyen'dakhwa' (the Onondaga Nation Arena) for hockey and lacrosse practice. It's been a great privilege watching my nieces grow up and turn into beautiful young ladies, as well as watching my nephew and my youngest niece develop personalities that sparkle and shine. I've been fortunate to be able to get to know my sister-in-law better and see what a wonderful mother she is and how she juggles motherhood and teaching, to this day she will always amaze me how women are capable of doing this while being so tender and strong. This is why the Haudenosaunee are so wonderful, the women are truly the foundation of this amazing culture.

I just had lunch with my brother, something we used to do once a week until he began his new job (it's his fourth anniversary there, but it's the job I call new). He's been busy and with four kids, his constant traveling for his job limits our time together, but a weekend soon here will bring me back to their home to help my family finish my nephew's new bedroom (an expansion to their home) in hanging sheet rock and mudding. This will give me more time to spend with them and for that I am grateful. My brother told me at lunch yesterday, after having filled him in on the possibilities, that he sees me teaching, more of a prophetic announcement than an opinion, my brother's been very accurate on issues of importance like this. He helped to set my mood at ease, because that which I cannot control I often dwell over.

I am excited and nervous for the possibilities to show themselves and look forward to finding out which ones poke their little heads out for me to see.

Oneh.

Alma mater matters?

So, I just received my third rejection in as many years from my alma mater for an assistant professor position within their film department. I always thought that your alma mater was preferential in looking at you as an option for hire. I understand I may not have the requisite screening record they may be looking for or the teaching experience, but we all know that's a catch-22. I do know this, they aren't going to find anyone with more passion than me and well, that's their loss. I'll probably hold off on reapplying for a few years if they ever advertise in that time frame. I realize my acceptance or even consideration as a candidate for that job was a long shot, considering there are faculty there that know me, and I'm sure they've gone to bat for me, proves that the politics will probably never allow them to consider me. It looks like I need to search elsewhere for suitable employment if I plan on heading back west to live, to escape CNY and its gloomy gray skies. Although, I realize one of my letters of recommendation wasn't sent through their electronic portal, so I wonder if because of that I wasn't considered, an incomplete application? *scratches head* If that was the case I desperately need to find another reference. It would have been nice to work on a campus and within a community I adore, but that's neither here nor there. Tomorrow will be here soon enough and that said, so will the possibilities! Dare to dream!

Columbus Day: An American Farce — a documentary

Columbus Day: An American Farce — a documentary, is a collaborative feature length project in preproduction between Torry Mendoza and Terrance Houle. It exists near the fringe of mockumentary, although it is a genuine documentary exploring important issues of contention, and is established in the depths of satire. This documentary aims to examine the perpetuation of this myth while it continues to be observed as an American Holiday and persists as fact in American history. While exploring its pedagogical roots and historical inaccuracy, Columbus Day: An American Farce will utilize man-on-the-street interviews, along with interviews from academic administrators at the primary, secondary and post-secondary education systems within New York State, as well as interviews with various members and groups from the Italian-American community (Knights of Columbus and the Sons of Italy). The documentary will also approach various members of the American government in an effort to realize the continued perpetuation of a man who not only didn't "discover" America, but was a criminal and perpetrator of genocide as one of America's "own." Columbus Day also resolves to answer the question, "What does Columbus Day mean to you?" and "How do you celebrate Columbus Day?"

Interviews will be conducted by interdisciplinary media artist and Blackfeet Native, Terrance "TJ" Houle as his Indigenous identity, Iiniiwahkiimah (pronounced: ee-nee-wah-kee-mah) or Buffalo Herder. Dressed in only part of his regalia, Iiniiwahkiimah dons a vest -- no shirt, a breachcloth -- no leggings, mocassins and roach with Houle's signature black rimmed glasses. Houle's articulate eloquence and intellectual presence stands in stark contrast to cinema's widely accepted constructs of Native stereotypes.

Columbus Day: An American Farce proposes to end its journey seeking the perspective of the citizens of Italy and Spain after a group of Indigenous individuals land ashore discovering those countries in the name of Indigeneity!