My plan is to depart Syracuse, where I have been mired since graduating from the SU MFA film program since 2007. With family and well to be honest, a limited amount of friends in the area (not as many as while I was in school--they were bright enough to leave quickly after graduating) I didn't think my life would be as uneventful as it is. So with this tentative plan in motion, or conceptually in motion, I intend to move back out west, the southwest to be specific. I figured I'll be able to move out there with or without a job, but I think my age and the caution that comes with being older is keeping me from making such a risky move. I no longer throw caution to the wind, don't take as many chances as I used to . . . now, chances are well calculated to have minimal risk.
I have a fellowship application in at the School for Advanced Research in Santa Fe, NM, which begins in the fall. I am applying to IAIA for a position as a New Media instructor. And then there's a possibility to teach film and video this fall at my old Art School (Munson Williams Proctor at Pratt), where I received my foundational training. So, three possibilities, not too bad, but the waiting and not knowing is uncomfortable, but I have to endure. So, depending on what comes of these possibilities moving may or may not be in the cards.
I was hoping to get back to the Denver/Boulder Indian Community, or become a part of the Santa Fe/Albuquerque Indian Community. As a displaced Mescalero Apache in Haudenosaunee country I am not an active member, though I am part of the community. Since my lineage isn't matrilineal, I cannot take part in Longhouse ceremonies, which I respect because that is the way of the Haudenosaunee (there was limited discussion on this aspect, but since I believe in traditionalism as does my brother, I decided that it was really a moot point to even think about it regardless if no one else knew where my lineage lay). I am fortunate and grateful to be able to take part in other events that occur. I was honored to be able to meet and photograph Tadodaho, Leon Shenandoah, my brother's grandfather before his passing in 1996 as well as photographing Oren Lyons in the same year. After talking with Oren for some time, he gave me some advice: not to dip my cup upstream. Apparently, our short conversation gave him great insight into my rather confrontational and radical personality, at least when coping with fairness. Although, to this day I still seem to disrupt the flow of things for those people downstream, it is an intentional choice and not one of desire for confrontation, anger or animosity but one of perspective. My time spent with the Onondaga and Mohawk (specifically Tom Porter at Kanatsiohareke) has taught me a lot about myself, my identity, my family and my desire to be an active member within the community, no matter what that entails. I know I will miss my brother and his family most, since wherever the possibilities take me will take me away from them. I've enjoyed helping my family out when needed, taking my niece or nephew to Tsha'Hon'nonyen'dakhwa' (the Onondaga Nation Arena) for hockey and lacrosse practice. It's been a great privilege watching my nieces grow up and turn into beautiful young ladies, as well as watching my nephew and my youngest niece develop personalities that sparkle and shine. I've been fortunate to be able to get to know my sister-in-law better and see what a wonderful mother she is and how she juggles motherhood and teaching, to this day she will always amaze me how women are capable of doing this while being so tender and strong. This is why the Haudenosaunee are so wonderful, the women are truly the foundation of this amazing culture.
I just had lunch with my brother, something we used to do once a week until he began his new job (it's his fourth anniversary there, but it's the job I call new). He's been busy and with four kids, his constant traveling for his job limits our time together, but a weekend soon here will bring me back to their home to help my family finish my nephew's new bedroom (an expansion to their home) in hanging sheet rock and mudding. This will give me more time to spend with them and for that I am grateful. My brother told me at lunch yesterday, after having filled him in on the possibilities, that he sees me teaching, more of a prophetic announcement than an opinion, my brother's been very accurate on issues of importance like this. He helped to set my mood at ease, because that which I cannot control I often dwell over.
I am excited and nervous for the possibilities to show themselves and look forward to finding out which ones poke their little heads out for me to see.
Oneh.
Showing posts with label IAIA. Show all posts
Showing posts with label IAIA. Show all posts
2.04.2011
11.16.2010
Round Up @ the Museum of Contemporary Native Art & Santa Fe



So, Saturday came and went, quickly. My artist talk went well, though nervous and worried, it went well. Two new pieces were added to the exhibition, which were initially lost to the hard drive crash, but they were resurrected from memory, maybe not 100% of what they once were, but none-the-less they were resurrected! Seven of my friends from the Boulder community attended, they all now live in the Albuquerque/Santa Fe area, except one who had flown in for another event, but Nicole made it in time to catch the tail end of the talk and view my work in the gallery. My young friend (cousin) Sylv works in Santa Fe and I had him as my guest at the hotel since he's been couch surfin' in Albuquerque, somewhat without a home, so we hung out and caught up, which was nice to have company. The food was great, you can never beat authentic southwest cuisine and New Mexican green chili, which I am already missing the morning I left it began.
The exhibition looks great and is running with four other exhibitions that are wonderful. The museum is beautiful, right there on Cathedral Place.
Next up another talk about a PBS series from the 70's at ArtRage this Friday evening.
7.27.2010
U.S. premeire of Round-UP to open Santa Fe, NM August 2nd 2010.
Well, I can say it's been an adventure, after attempting to export media files for DVD authoring of my latest new works my external HD decided it didn't want to stop spinning somewhere in the middle of exporting and thus has not been accessible. So, four new pieces sit somewhere in a spinning HD unable to be located for writing. Although, after taking some time off of work I was able to reconstruct two of the four pieces for my upcoming exhibit in Santa Fe: Round-UP (originally established by the Urban Shaman Gallery in Winnipeg in October of 2009). I always like to get new pieces out there and thought this new showing of Round-UP would be a great opportunity were it not for the rejection of technology.
I hope to get the other two and another possible piece reconstructed by end of August and sent back to the Museum of Contemporary Native Art first thing in September so they have what I intended to be shown. The two pieces I was unable to reconstruct in time are Kemosabe version 2.0 (with additional title) and an as of yet untitled F-Troop piece and another piece I was working on that's a bit of a departure for me entitled, Cayuga. So, I have a month to re-access my brain and reconstruct what/how I remember the pieces to be. My job has afforded me a G5 tower and 20 inch monitor to bring home, now I can wake up or come home and power it up and create without having to head into the office at all hours after working 8 hours just to use a more powerful machine than my PowerBook G4 from 2005--I love this little laptop (it's served me well traveling with me through the country and internationally), but it's time for a new Intel powered device, sometime when I have the money.
It's been a difficult month struggling after attempting to author my DVD for the exhibit. I was right there. I sat on the pieces for a month and came back to them to tweak them where I thought necessary, and then moved on to export them for the DVD and then the doomsday scenario hit. Now I can get some rest, recoup and come at the work from a more focused, less stressed mind.
I hope to get the other two and another possible piece reconstructed by end of August and sent back to the Museum of Contemporary Native Art first thing in September so they have what I intended to be shown. The two pieces I was unable to reconstruct in time are Kemosabe version 2.0 (with additional title) and an as of yet untitled F-Troop piece and another piece I was working on that's a bit of a departure for me entitled, Cayuga. So, I have a month to re-access my brain and reconstruct what/how I remember the pieces to be. My job has afforded me a G5 tower and 20 inch monitor to bring home, now I can wake up or come home and power it up and create without having to head into the office at all hours after working 8 hours just to use a more powerful machine than my PowerBook G4 from 2005--I love this little laptop (it's served me well traveling with me through the country and internationally), but it's time for a new Intel powered device, sometime when I have the money.
It's been a difficult month struggling after attempting to author my DVD for the exhibit. I was right there. I sat on the pieces for a month and came back to them to tweak them where I thought necessary, and then moved on to export them for the DVD and then the doomsday scenario hit. Now I can get some rest, recoup and come at the work from a more focused, less stressed mind.
5.07.2010
May (NAISA) and June (SuperFly), 2010
So we are into May already! Wow, time has kinda of snuck by me and the Native American Indigenous Studies Association conference is closely upon us. In just over a week I head to Tucson for the conference and a meeting with a few scholars, most importantly a meeting with Dr. Philip Deloria to discuss the American Studies PhD Program at the University of Michigan as well as with Dr. Vince Diaz, it'll be nice to see Vince again. I will also get to meet with Dr. Joanna Hearne from the University of Missouri, busy time. I need to remember to schedule sometime with the sun! I think I'll have plenty of time on the 19th since I'm getting in at around noon. Currently, I am working on my presentation for the conference as well as getting some new video works in the fire for my upcoming exhibit at the Museum for Contemporary Native Art in Santa Fe in August.
Next month will be my fourth year returning to mentor at Longhouse Media/Native Lens SuperFly program, this is hands down my favorite event ever. I'd take this over winning awards any day. I think the youth are the ones that make this event special for me, they amaze me every year. It will be a busy upcoming three weeks, but I look forward to it all and am excited at the prospects.
That is what's on the plate for the next month, aside from my daily grind! See you in Tucson and Seattle, Lummi Country!
Next month will be my fourth year returning to mentor at Longhouse Media/Native Lens SuperFly program, this is hands down my favorite event ever. I'd take this over winning awards any day. I think the youth are the ones that make this event special for me, they amaze me every year. It will be a busy upcoming three weeks, but I look forward to it all and am excited at the prospects.
That is what's on the plate for the next month, aside from my daily grind! See you in Tucson and Seattle, Lummi Country!
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