Well, I can say it's been an adventure, after attempting to export media files for DVD authoring of my latest new works my external HD decided it didn't want to stop spinning somewhere in the middle of exporting and thus has not been accessible. So, four new pieces sit somewhere in a spinning HD unable to be located for writing. Although, after taking some time off of work I was able to reconstruct two of the four pieces for my upcoming exhibit in Santa Fe: Round-UP (originally established by the Urban Shaman Gallery in Winnipeg in October of 2009). I always like to get new pieces out there and thought this new showing of Round-UP would be a great opportunity were it not for the rejection of technology.
I hope to get the other two and another possible piece reconstructed by end of August and sent back to the Museum of Contemporary Native Art first thing in September so they have what I intended to be shown. The two pieces I was unable to reconstruct in time are Kemosabe version 2.0 (with additional title) and an as of yet untitled F-Troop piece and another piece I was working on that's a bit of a departure for me entitled, Cayuga. So, I have a month to re-access my brain and reconstruct what/how I remember the pieces to be. My job has afforded me a G5 tower and 20 inch monitor to bring home, now I can wake up or come home and power it up and create without having to head into the office at all hours after working 8 hours just to use a more powerful machine than my PowerBook G4 from 2005--I love this little laptop (it's served me well traveling with me through the country and internationally), but it's time for a new Intel powered device, sometime when I have the money.
It's been a difficult month struggling after attempting to author my DVD for the exhibit. I was right there. I sat on the pieces for a month and came back to them to tweak them where I thought necessary, and then moved on to export them for the DVD and then the doomsday scenario hit. Now I can get some rest, recoup and come at the work from a more focused, less stressed mind.
Showing posts with label Indigenous art. Show all posts
Showing posts with label Indigenous art. Show all posts
12.02.2009
Terrance KINDOFABIGDEAL Houle
Okay, this is really only me promoting my friend and fellow interdisciplinary media artist, Terrance TJ Houle, from the Blood Tribe in Canada, to learn more about him here is his site: terrancehoule.com, or you can just google him, go ahead he won't mind, actually he likes to be googled, he thinks it's dirty!
He also googlebates (TJ's word not mine—oh but you know I'm gonna use it), who of us doesn't? I googlebated earlier at work, and no one is the wiser. It's so fulfilling, and satisfying, I just might do it again, but I better clear my history so it's a clean go 'round. I actually found that poorly written bad review by googlebating, the first post here, the Sandee Moore, self-proclaimed, "Inter-Media Artist." She eats gingerbread houses that are "human-sized" and calls it a performance . . . please it took her six days to eat it and it was 1/4 "human-size." I could eat it in two days, now that's a performance. TJ wants to know what an "Inter-Media" artist is, as do I. She must make tons of bank working in tv, radio, cinema, internet, print, et cetera, as an "Inter-Media" artist—she really means multi-media, but prefers to use the anachronistic term, which really didn't see a rise in usage, academically or otherwise. Go ahead, google it. I'll wait for you.
I digressed. Okay, so if you're in the Calgary area 01.09.10, check this out:
Fortunately, we have the ability to instance message one another on occasion, that's of course when he isn't busy creating work and I'm not bogged down in the drudgery of my "digital media specialist" position at my grown-up job. Although that job has afforded me the opportunity to earn bank so I can travel on occasion, not to mention the editing suite I maintain and the tools therein.
So, why am I babbling you might ask? Terrance and I are coming to a town near you, we are about to blowup and spread the theatrics of Indigeneity upon all who are near, or at least one of us will. Well, for the most part that's Terrance. He's been a great friend encouraging me to seek funding and residencies, and encouraging me to visit Germany . . . 2010 look out.
Just check out Terrance's work and watch out for him, I hear he likes to punch the moose knuckle when people wear spandex, so all you spandex clad fools better be faster than TJ, otherwise, POW, he'll sock you one right in the moose knuckle.
He also googlebates (TJ's word not mine—oh but you know I'm gonna use it), who of us doesn't? I googlebated earlier at work, and no one is the wiser. It's so fulfilling, and satisfying, I just might do it again, but I better clear my history so it's a clean go 'round. I actually found that poorly written bad review by googlebating, the first post here, the Sandee Moore, self-proclaimed, "Inter-Media Artist." She eats gingerbread houses that are "human-sized" and calls it a performance . . . please it took her six days to eat it and it was 1/4 "human-size." I could eat it in two days, now that's a performance. TJ wants to know what an "Inter-Media" artist is, as do I. She must make tons of bank working in tv, radio, cinema, internet, print, et cetera, as an "Inter-Media" artist—she really means multi-media, but prefers to use the anachronistic term, which really didn't see a rise in usage, academically or otherwise. Go ahead, google it. I'll wait for you.
I digressed. Okay, so if you're in the Calgary area 01.09.10, check this out:
The High Performance Rodeo presentsSo, I have been trying to solicit TJ's wonderfully humorous and satirical assistance in a feature length documentary, but funding opportunities are turning up dry, another rejection from the All Roads Film Project which if I had received funding from them it would have covered travel costs bringing the internationally known TJ to the US for us to collaborate on the documentary, he with his witty and cutting skills as a performance artist conducting interviews and me with my cinematography, directing and editing prowess. Now we are hoping to be able to collaborate on this documentary if funding, somehow, "rears it's head."
Grandstand Night 3
Matt Masters with Terrance Houle
Monsters, aliens, cowboys and . . . indie bands? For the third consecutive year, the Rodeo rocks to the tune of Grandstand, where Calgary’s hottest musicians team with visual artists to create an unforgettable collage of sound and film. This time ‘round, they pay tribute to the movie magic of cult films, bringing life to the silver screen by mixing film clips and soundtracks with original music in a genre-tastic re-imagination of cinematic classics.
Fortunately, we have the ability to instance message one another on occasion, that's of course when he isn't busy creating work and I'm not bogged down in the drudgery of my "digital media specialist" position at my grown-up job. Although that job has afforded me the opportunity to earn bank so I can travel on occasion, not to mention the editing suite I maintain and the tools therein.
So, why am I babbling you might ask? Terrance and I are coming to a town near you, we are about to blowup and spread the theatrics of Indigeneity upon all who are near, or at least one of us will. Well, for the most part that's Terrance. He's been a great friend encouraging me to seek funding and residencies, and encouraging me to visit Germany . . . 2010 look out.
Just check out Terrance's work and watch out for him, I hear he likes to punch the moose knuckle when people wear spandex, so all you spandex clad fools better be faster than TJ, otherwise, POW, he'll sock you one right in the moose knuckle.
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